Game Makers Podcast – Sarah Schachner on Music of ACV - Thumbnail

January 22, 2021

3 Min Read

assassins creed valhalla

Game Makers Podcast – Sarah Schachner on the Music of Assassin’s Creed Valhalla

American composer, producer, and multi-instrumentalist Sarah Schachner is one of the three composers who worked on the soundtrack of Assassin’s Creed Valhalla. Schachner returns to the series after having been the main composer on Assassin’s Creed Origins and working on the soundtracks for Assassin’s Creed IV: Black Flag and Assassin’s Creed Unity.

In two episodes of Ubisoft’s Game Makers podcast, Schachner discusses her process creating the tracks “Asgard – Hall of the Aesir” and “The Sceptered Isle,” blending ancient instruments and musical sensibilities with modern techniques to create rich music that echoes the game’s world and themes.

For Schachner, writing music for a game set in the Viking era was like coming home. She begins by telling us about her childhood passion for Viking culture, which led her family to buy a reconstructed Viking longship for their backyard.

UN News Game Makers Podcast – Sarah Schachner on Music of ACV - Img 01 - Viking Ship

Download the transcript of this episode

The episode on “Asgard – Hall of the Aesir” also features an interview with John Kenny, a professor and professional trombonist who is featured on the Assassin’s Creed Valhalla soundtrack playing the carnyx, an ancient Celtic instrument with a distinctive sound and a unique animal shape. Kenny tells us more about the history of this instrument and how it’s played, while Schachner explains why the carnyx and its “wild” sound was perfect to accompany the player’s journey to Asgard, the mythical land of the gods.

UN News Game Makers Podcast – Sarah Schachner on Music of ACV - Img 02 - John

Download the transcript of this episode

In the podcast episode on “The Sceptered Isle,” Schachner talks about the research she undertook to score music for Assassin’s Creed Valhalla, as well as the ancient Norse instruments she sourced to create an authentic Viking sound for the game’s music. By combining these strings with choir-like voices (recordings of herself and her partner during the pandemic lockdown), she sought to blend Norse and English influences to echo the meeting of cultures occurring in England during that time.

The Assassin’s Creed Valhalla Original Game Soundtrack is out now and available wherever you get your music.

Did you miss the previous episode with Einar Selvik, in which he talks about his song “Hausbrjótr - Skullcrusher?” Have a listen on your preferred podcast app and subscribe to Game Makers so you don’t miss any new episodes! Stay tuned for upcoming episodes with Jesper Kyd, as he tells us how he went about recreating Assassin’s Creed’s beloved “Ezio’s Family” theme for Assassin’s Creed Valhalla.

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